Michael Kenna's best-known photographs are iconic: ethereal landscape studies that seem untethered by time, steeped in a spiritual sense of place. “Memories and Meditations: A Retrospective of Michael Kenna's Photography” at Tacoma Art Museum is a two-part tribute to this internationally acclaimed artist with a career spanning more than 30 years. Part one is a crowd-pleasing exhibition that includes several of his widely admired, ineffably serene landscapes; part two, opening Jan. 11 and showing through March 24, will introduce a different aspect of Kenna's work, including his documentation of European sites and the concentration camps of World War II.
The TAM show is the first retrospective of Kenna's work in almost 20 years. The current exhibit focuses on Asia but includes surprises such as textured and energetic photographs from Detroit to Easter Island. A constant thread is the lack of people in Kenna's frame; as he said at a recent TAM lecture: “I like the idea that we can take a solitary walk and allow our minds to wander” – and his uninhabited studies encourage such expansiveness. He is known for putting long camera exposures – sometimes up to 10 hours – to brilliant effect, recording whatever passes before his viewfinder. His unique visual style requires patience, and the resulting images evoke a sense of sublimity – even when the subject matter is a nuclear plant.
The photographs on exhibit at TAM are surprisingly small; a decision that he explains requires the viewer to draw in close, creating an intimacy with the image. Kenna does his own darkroom printing of sepia-tone silver gelatin prints. He is known to return to certain locales over several years, recording the changes that have occurred.
Kenna’s work explores the connections between time, history and geography; an investigation that will continue in the second part of the TAM rotation opening Jan. 11. Photographs such as “Chariot of Apollo, Study 1,” Versailles, France; and “SS Guard House, (Death Gate),” Birkenau, Poland, communicate the dark impulses that have forged European history.
“Kenna’s photography is grounded in his spiritual practice and the exhibition will allow visitors to connect with this aspect of this work,” said Rock Hushka, TAM curator of contemporary and Northwest art. Born in England and now living in Seattle, Kenna studied at a seminary school from 1964 to 1972, then attended the Banbury School of Art in Oxfordshire. He studied photography at the London College of Printing, graduating with honors in 1976.
Hushka noted that the artist’s first United States exhibition, in 1978, was at a Seattle gallery owned by Chase Rynd, who later became the director of TAM. Kenna’s work is in the collections of several museums, and his prints have been shown in more than 600 exhibitions around the globe. Learn more at http://www.tacomaartmuseum.org.
Reprinted with permission of Tacoma Arts.
The public is invited to attend a lecture and book signing by Michael Kenna on Jan. 12 at 2 p.m. As TAM unveils the second rotation of artwork in the exhibition “Memories and Meditations: A Retrospective of Michael Kenna’s Photography,” come hear from the artist himself. He will present an overview of his work and artistic approach, and share stories about the works on view. Cost: $15 ($10 for members, $5 for students). Includes museum admission.
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